Kløvervej 6
Brørup DK-6650 Denmark
(1994-97)
51. SEKEL-MARCH ´94 (1994)
Version 2 (for Wind Band)
Scoring:
Flute section, Clarinet Section, Alto, Tenor & Baritone Saxophone
Cornet in Eb, Fluegelhorn, 3 Cornets in Bb, 3 Horns in F, Baritone & Euphonium,3 Trombones, Tuba in Eb & Bb
Glockenspiel, Snare Drum, Bass Drum & Cymbals
A tribute to the town of Esbjerg; 100 years young in 1994.
Duration:
5 minutes
First performance:
1994-05-28
Esbjerg City
Esbjerg Postorkester, Esbjerg Politiorkester, Esbjerg Jernbaneorkester & Veteranorkestret Esbjerg.
Conductor: Tommy Hagenau
Awarded 1st prize in Esbjerg March Composition competition 1994
52. KYRIE DELLEISON (1994)
Scoring:
1 female voice
1 male voice
4 instruments ad lib
Duration:
Variable
Commissioned by Jørgen Bjørslev
The "Kyrie Eleison", with a regard to "Dells Angels" (ABSOLUTELY NOT Hells Angels!!!) of Esbjerg, Denmark.
First performance:
Academy of Music Esbjerg, Denmark
1994-06-03
Anna Eriksen & Martin Guldberg, Voices
Sonya Christie, Violin
Richard L. Madsen, Guitar
Torben Rauh, Grand Piano
Peter Rønn-Poulsen, Marimba
53. FOR LOVE... (1994)
Scoring:
Flute & Organ (or Piano)
Duration:
4 Min.
To the marriage of Michael Degn & Jette Hougaard (now Degn) Score Sample!
Commissioned by Birgit Nielsen
First performance:
1994-10-10, Aal Kirke (Denmark)
Birgit Nielsen (Flute) & Arne Vesterheim (Organ).
54. VACATIONS (1994)
Scoring:
Bassoon Solo
Movements:
1. Hommage a ......
2. Serious motör problems
3. Walzing Vienna
4. Bare butts in the street
5. The Spanish Obstacle Race School
6. Au Revoir a ......
Duration:
7-8 Min.
VIENNA JULY 1994 IN MEMORIAM!! Nice, but sometimes pretty weird...
Commissioned by, and dedicated to, Anne Borgen Paulsen.
Not performed yet, as far as I know....
55. LHØØRN (1994)
Scoring:
Amplified Delayed Violin (with Violin Orchestra ad lib.)
Duration:
App. 10 min.
Commissioned by (and dedicated to) Lars Henrik Ørn
A Violin One Man/Woman Orchestra, with Lars Henrik´s name and spirit in the center of the score.
First performance:
1994-03-31 Academy of Music, Esbjerg (Denmark)
Lars Henrik Ørn
56. ON THE 2100´th DAY (1995)
Scoring:
Percussion Trio
Movements:
1. For Mauricio (3 Snare Drums)
2. Hvaduvil 1 (Free Snare Drum Solo)
3. Waiting for André (Small instruments & 3 Triangles)
4. Hvaduvil 2 (Free Triangle Solo)
5. Waves for Peter and Per (3 Marimbas)
6. Hvaduvil 3 (Free Marimba solo)
7. Japanderup and Co. (Drums) LISTEN!
All movements played attacca.
Duration:
17 min.
Composed to the concert (the 3rd. of June 1995) for my Master Degree as an Orchestral Percussion Musician from the Academy of Music in Esbjerg (it went quite ok, when that day came... So did also the first performance notated below).
First performance:
1995-04-21 Esbjerg Academy of Music (Denmark)
Peter Rønn-Poulsen, Dennis S. Pedersen, Peter Wallin
57. FREASE (1995)
Scoring:
Kazoo-playing Singer (Male/Female) and co-player ad lib.
Duration: Various
Sing a song in a kind of unusual way...: When not singing text, sing the Kazoo instead!! Co-player equipped with his/her favourite instrument, play up to (can be against) the singer in roles, sentenced by situation!!
Tekst by the composer.
This piece is especially created to Baritone Singer Henrik Ganzel Pedersen and Violin Player Jens Solgaard
Commissioned by Ib Flemmig Hansen
First performance:
Performed at an internal concert at the Academy of Music in Esbjerg (Denmark) in may of 1995 (Henrik´s 2nd year graduation)
58. MIRROR 6 41 14 6 (1995)
Scoring:
Organ & Percussion (1 player, instruments ad lib. in groups of 6 units each)
Duration:
Variable
Composed & dedicated to Peter Møller, one of the greatest composers and organ improvisators in Denmark in the 20th Century.
Peter Møller´s great interest and keen wish to play percussion, and P.W.´s wish to explore the great organ, in a blend of great fellow feeling.
First performance:
Hjerting Church 1995-04-30, Denmark
Peter Møller & Peter Wallin
IT WAS A GREAT CONCERT!!!
59. TRINITY AGREEMENT (1995)
Scoring:
Keyboard Instrument ad lib, Crotales & Marimba (1 player)
Duration:
35-45 Minutes.
No. 1 Trinity Agreement, Microscopism in Afro rhythm, with the spirit of the fabulous talent of improvisation in the body and mind of the great Organ player Peter Møller.
Score Sample 1! Score Sample 2! Score Sample 3! Score Sample 4!
First performance:
1996-01-21 Vor Frelser Kirke Esbjerg (Denmark)
Peter Møller, Organ
Peter Wallin, Crotales & Marimba
Dedicated to Peter Møller
Look at Mirror 6 41 14 6 (Opus 58), another work dedicated to Peter Møller.
60. 1984 (1984, revised 1995)
Scoring:
2 Bassoon solo
0000 4321 13 Str.
Duration:
10-11 Min.
George Orwell in memoriam, tragedies, war, collapse of human behaviour (negative, huh??).
Composed as a massive and very loving THANK YOU to Niklas Loman & Patrik Bartosch for the TERVE performance in december 1983. Score Sample!
First performance:
Original version (1984):
1985-03-17 Stadshallen Lund (Sweden)
Niklas Loman & Patrik Bartosch (Bassoon)
Lunds Ungdomsorkester
Conductor:Kjell-Åke Bjärming
Revised version:
Not performed yet!!
61. 3 STÄMNINGAR (1984, revised 1989 & 1995)
Scoring:
Clarinet in Bb & Marimba
Movements:
1. Meditation Score Sample!
2. Uppsluppenhet Score Sample!
3. Depression Score Sample!
Duration:
6-7 Min.
Three short movements, concerning man´s moods in life...
First performance:
1984 version:
1984-06-29 Konstmuséet Lund (Sweden)
Cecilia Bäckström (Clarinet) & Peter Wallin (Marimba)
1989 version:
1990-05-16 Esbjerg Kunstpavillion (Denmark)
Bjarke Kolerus Vind (Clarinet) & Peter Wallin (Marimba)
1995 version:
2007-11-11 Musikhuset Esbjerg (Denmark)
Maika W. Nikolajsen & Thomas Bjerregaard
62. PRELUDE & FANFARE (1996)
Scoring:
Soprano Trombone Solo
Duration:
1,5 min.
A gift to my wife Hanne (both the trombone and the composition). See Score!
Not performed yet!
63. DANCE (1996)
Scoring:
Alto Flute & Guitar
Duration:
6 min.
Movement 2 of the composition Trance & Dance (see below).
Score Sample!
First performance:
1996-11-23 Academy of Music Århus (Denmark)
Duo Takemitsu
Commissioned by & Dedicated to Duo Takemitsu
64. MESS (1996)
Scoring:
French Horn (using 2 Snare Drums)
Timpany (set of 4)
Duration:
3,5 min.
A tribute to Motörhead (especially their smash hit "Ace of Spades").
Turbo tempo, special sound effects, and a "tour de force" for the French Horn Soloist.
Score Sample!
Not performed yet!!
65. G.S. METAMORPHOSE MARCH (1996)
Scoring:
1 Snare Drum free Solo ad lib.
2 Snare Drum Sections
2 Tenor Drum Sections
2 Bass Drums
Clash Cymbals
Duration:
3 min.
Dedicated to the percussion section of Skjern Garden (Denmark), as a variation of traditional marching music. To this bunch of lovely maniacs, I have also composed "33 Measures" (1996, Opus 68) & "Gangbang" (2003, Opus 118). Score Sample!
Not performed yet!!
66. CLOUDS (1984, revised 1996)
Scoring:
Vibraphone, Violoncello, Piano
Duration:
6-7 min.
The vision of clouds and a peaceful sunset, seen from above in a DC-9 between Stockholm and Sturup (Sweden) in february 1984, while the knowledge of raining and winding activity below runs in my mind. VERY poetic!!! Score Sample!
First performance:
The Slapping & Crapping project, Part 2
2005-09-17 Kulturskolan Lund (Sweden)
Peter Wallin (Vibraphone); Ruben Andersson (Viola! Voila!); Inger Andersson Henning (Piano)
Yep, Ruben played the Violoncello part on the Viola. And he did it good!!! Respect!
67. CHORALE (1996)
Scoring:
Organ Solo
Duration:
3 min.
A gift to my brother Inge and his wife Mona, celebrating their wedding in 1996.
Score Sample! LISTEN!
First performance:
1996-12-04 Folding Church, Denmark
Inger Elbæk
Dedicated to Inge & Mona Wallin.
Also available in a version for String Orcchestra, made in 2007 (Opus 67a) Score Sample!
68. 33 BARS (1996)
Scoring:
Snare Drum section
Tenor Drum section
Clash Cymbals
Bass Drum
Duration:
Variable
Composed in 4 x 8 measure sections + 1. Section play randomwise, will never sound the same twice... A farewell composition to the lovely maniacs in the Percussion section of Skjern Garden (Denmark). Score Sample!
To them, I have also composed "GS Metamorphose March" (1996, Opus 65) & "Gangbang" (2003, Opus 118).
In 2007 version 2 (Opus 170) of this composition was realized.
Not performed yet!
69. TRANCE (1996)
Scoring:
Alto Flute & Guitar
Duration:
6 min.
Movement 1 of the composition Trance & Dance (Opus 71, see below).
Score Sample!
First performance:
1996-11-23 Academy of Music Århus (Denmark)
Duo Takemitsu
Commissioned by & Dedicated to Duo Takemitsu
70. ELEGIA (1996)
Scoring:
Violin/Viola & 2 Marimbas
Duration:
9-10 min.
The re-composed version of "Elegia Piccola" (1985, Opus 7), now also with the possibility to play on the viola. Score Sample!
First performance:
2013-05-01 Tanums kyrka (Sweden)
Pia Mortensen (Violin), Peter Wallin & Jesper Eg Pedersen (Marimba)
71. TRANCE & DANCE (1996)
Scoring:
Alto Flute & Guitar
Movements:
1. Trance Score Sample!
2. Dance Score Sample!
Duration:
10 min.
Do you get in a trance when you dance, or do you dance in a trance situation...???
First performance:
1996-11-23 Academy of Music Århus (Denmark)
Duo Takemitsu
This piece exists in 3 versions:
1. Trance & Dance (1996, Opus 71) for Alto Flute & Guitar
2. Duet No. 3 (1997, Opus 73) for Flute & Marimba
3. Jumala (1999, Opus 85) for Violin & Guitar
Commissioned by & Dedicated to Duo Takemitsu
72. MESS, AGES & MESSAGES (1997)
Scoring:
French Horn (using 2 Snare Drums)
Timpany (set of 4)
2 Snare Drums
(Timpany & Snare Drum = 1 player)
Movements:
1. Mess Score Sample!
2. Ages Score Sample!
3. Mess, Ages & Messages See Music!
Duration:
15 min.
A 3 movement very big tribute to Lemmy (Ian Kilmister) & Motörhead. English heavy metal long live!!!
Dedicated to Carl-Magnus Trygg
Not performed yet!
73. DUET No. 3 (1997)
Scoring:
Flute & Marimba
Movements:
1. Trance Score Sample!
2. Dance Score Sample!
Duration:
10 min.
Do you get in a trance when you dance, or do you dance in a trance situation...???
First performance:
1997-09-14, Byskolen Skjern (Denmark)
Duo Stracciatella
This piece exists in 3 versions:
1. Trance & Dance (1996, Opus 71) for Alto Flute & Guitar
2. Duet No. 3 (1997, Opus 73) for Flute & Marimba
3. Jumala (1999, Opus 85) for Violin & Guitar
Dedicated to Duo Stracciatella
74. BEYOND... (1997)
Scoring:
Marimba Solo
Duration:
Variable.
A vision on the run, never ending, never stopping, always shifting, always changing, microscopically...
This vision will never be notated down in a score, just images of it flows through the composers mind during a performance of it.
"3 Dreams" - suite:
1. Space (1984, Opus 4)
2. Beyond...
3. Goodbye (1999, Opus 88a)
First performance:
1997-09-14 Byskolen Skjern (Denmark)
Peter Wallin.
75. IMPULSE 3 (1997)
Scoring:
French Horn Solo
Marimba
String Orchestra
Movements:
1. Intro (Slow)
2. Stressed Blues (Fast)
3. Outro (Slow)
Duration:
8 min.
Once I thought a lot about the Swedish composer Lars-Erik Larsson, and in particular the stack of concertinos (Opus 45), for many orchestral instrument solo and amateur orchestra, he wrote between 1954-57. "If he could, so can I", was my direct thought. This was in 1984, and I started the "Av Tankar"-serie (Av Tankar = Because of thoughts) for Solo Instrument and String Orchestra, starting of with No.1 for Cello (to Louise Agnani), No. 2 for Flute (to Ulrika Ekblad), and No. 3 for French Horn (to Madeleine Dahlberg)... And after that... Complete silence!!! I did not get any further with the project, and it went into a kind of concious slumber. After 13 years sleep, I once again started the project, this time to re-compose the three pieces in to a bit more (at least for me personally) playable (both technical and compositorical) style. This time starting backwards, with "Av Tankar 3", transforming it to "Impulse 3". In 2004, I transformed "Av Tankar 1" to "Impulse 1", and "Av Tankar 2" is yet to be transformed to "Impulse 2".
And after that...?
It can be, that I complete my original intention, to compose a brother-serie of compositions to the Lars-Erik Larsson serie. But future will show. Keep in touch!!
Score Sample!
Not performed yet!
Kløvervej 6
Brørup DK-6650 Denmark